![]() ![]() Smith, Williams explores what the modern reader/listener might gleanįrom consideration of this composite art form. Musicologist Linda Austern and literature and theatre scholar Bruce Of historians Sara Mendelson and Patricia Crawford as well as that of ![]() ![]() The ephemeral, and print and performance" (1). Saw, sang, or heard ballads on a daily basis and that this commonĮxperience "straddled oral and literate culture, the material and Malfeasance, Williams reminds her readers that most English citizens In this examination of ballads focused on witchcraft and female Surrey and Burlington, VT: Ashgate, 2015. Damnable Practises: Witches, Dangerous Women,Īnd Music in Seventeenth- Century English Broadside Ballads. Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads. Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads." Retrieved from 2016 Texas A&M University, Department of English 01 Jun. Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads." The Free Library. ![]()
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